The gown is worn with a single petticoat in soft cotton
muslin. I made it as a mockup for the
skirt to try out the underskirt pattern from the same 1901 Janet Arnold gown,
but it didn’t have the right shape and sweep.
I added a shaped waistband, and layers of ruffles made on my vintage pinking
machine, which was about the easiest thing to do ever.
The corset is made from white satin coutil and boned in
white steel. I was lucky enough to find steel by the giant roll at Richard the Thread, and a belt sander in my then-fiance's metalshop,
which means I get to cut, sand, and paint my own bones! I use nail polish as per the Dreamstress’
experience, and the sander gets the tips perfectly rounded and smooth. Someday I may splurge for some plastidip, but
this is what worked now! I used the
Truly Victorian Edwardian corset pattern, but added a giant back hip gore a la
this one from Corsets and Crinolines; it was much improved!
The combination is from the same pattern, but I took the shaped flounce and enlarged it x3 lengthwise and pinked it to make a ruffly shaped flounce. I recommend it! I used Dharma’s wonderful cotton lawn; perfectly soft and drapey; stiffness is not what’s wanted here. To save time, I made the waistband out of a wide silk ribbon and shoulder ties of the same, there is a drawstring in front, the waist closes with a skirt hook and the bodice with a few snaps.
1901 Corset, Nora Waugh, Corsets and Crinolines |
The combination is from the same pattern, but I took the shaped flounce and enlarged it x3 lengthwise and pinked it to make a ruffly shaped flounce. I recommend it! I used Dharma’s wonderful cotton lawn; perfectly soft and drapey; stiffness is not what’s wanted here. To save time, I made the waistband out of a wide silk ribbon and shoulder ties of the same, there is a drawstring in front, the waist closes with a skirt hook and the bodice with a few snaps.
I wore a small bumpad over the corset and hip pads under.
Accessories
To complete the look, I ordered satin Highburys from American Duchess. They were meant for a
different period, but I thought they would make the perfect slippers for an
outdoor wedding. I dyed them to match,
dyed ribbons to match, and glued Swarovski flatback crystals and pearls to my
hearts delight. I found the tiara at a
local fabric store, and it was the perfect Edwardian tiara silhouette nesting
in my poofy hair. I kept jewelry simple,
mostly because I didn’t have time to make anything crazy elaborate, and went
with vintage blue rhinestone earrings and a wrapped pearl bracelet; both came
from my mother. Vintage stockings were
held up over the combination by a vintage garter belt that I just slipped on
over the corset; someday it will get its own garters!
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